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A HISTORY AND BACKGROUND TO MARCHING BANDS

 
 

Throughout the world the cultural identities of every race and nationality has been expressed through music and no one can doubt that the Ulster Scots people are endowed with an exceptional musical ability with one of the most popular ways of expressing our culture is the Marching Bands.

Marching Bands can trace their lineage to the military traditions of the British Army. History shows that the Ulster people were prominent in the service of "King and Country", both as regular soldiers and militia. It was the Inniskillens who captured the first French eagle in the Spanish wars and some of the more famous generals such as Wellington and Montgomery can boast of their Ulster lineage.

During the nineteenth century Ireland was 'militia' country, whose soldiers served as and when required in the various campaigns, and it therefore stands to reason that when these soldiers returned from service and resumed life in their home place, they would adopt those military traditions to which they had grown familiar. Most Ulster Protestants of those times were members of the Loyal Orange Order and when they marched to the various demonstrations they expected and demanded musical accompaniment. Prior to the birth of the Marching Bands, this was supplied by drumming parties (lambegs and fifes). It wasn't long before these bands, formed after the local men from the militia brought their musical skills to the community, attached themselves to the Orange movement and many of the bands formed in the mid 1800's still exist. The turn of the 20th century saw an increase in political activity with the introduction of three Home Rule bills. This in turn was the catalyst for the formation of a number of bands which are now approaching their centenary. During the Third Home Rule period, Marching Bands, in particular flute bands played an important role at demonstrations. On Ulster Day 28th September 1912, bands led companies of Ulster Volunteers to Belfast City Hall to sign the Solemn League and Covenant. Bands also led contingents to churches and local Orange Halls in rural areas to sign.

After the World Wars bands again become an important element of Ulster community life and their musical expertise began to develop. Accordion bands especially began to progress and were very strong in rural areas. The first competitions for bands were held and continue to this day under the auspices of the North of Ireland Bands Association.

The mid sixties with an increase in tensions saw the development of a slightly different style of marching flute band. Many reasons are available for the changes of style of flute bands to what has become known as Blood & Thunder. Certainly the troubles have been a significant factor in the Marching Band Culture, with the Protestant community -especially its youth - attracted to it. The costs of putting a band on the road were also of significance and often determined their nature.

Many Marching Bands that are now 25 or 30 years old were formed during the Seventies and came into existence as a result of the threat posed to their respective communities. It would be fair to say that most of these bands were by today's standards unrefined, with the emphasis more of vocal and drumming noise than on musical finesse. However since then Marching Bands have developed.

 

WHY BANDS?

There several main reasons why so many people have become involved in bands and have remained involved. A brief investigation shows that friends, family and community are the chief motivations why people joined their respective band. It may have been that a friend or friends were already part of a band or a relation, usually a brother or father. As many bands originate from an area such as an estate, village or town and carries the name of that area, pride in their community was also a leading factor. Strangely culture was not most people's first choice as a reason for joining a band however it was agreed that it was an important factor and that this importance has increased in direct relationship to the threat posed by the attacks that to which our culture has been subjected. Many believe that being in the band has helped to keep them in touch with the culture and has led to a greater understanding of the importance of their culture.

The following story from one 'cradle to grave' band member is very much a typical account.

"I first joined our band almost ten years ago. My two elder brothers were already in the band at the time and with my cousin and another friend, we learnt to flute. It was almost a year before we were given a uniform and allowed to parade. The three of us all walked our first parade together. Since then the band has become my life and I view the people in it as my best friends.

The band to me now is about having a good time with my mates. Yes being is about my Protestant culture especially as we are all from that community but it only really become an important issue when we are challenged or come under attack. When I'm out on parade, the last thing I want is trouble. I want to enjoy myself and can't understand why so much of a fuss is made over us".

 

How Bands are Structured

 

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